Pétersbourg - see below under 'Vielgorsky, Mikhail'Īrranged as Le rossignol, S.250/1, by Franz Liszt, for solo piano: 1st version, S.249d (1842) 2nd version, as No.1 of 2 mélodies russes, S.250/1 (1842–43) Mazurka pour piano composée par un amateur de St.Miserere by Gregorio Allegri, setting of Psalm 51 for double chorus (1580s?):.

Virág-dal (Chant des Fleurs), for piano, Op.43 (ca.1875):Īdditions and corrections by Liszt (1880), S.383a.Tamássy József kedvelt dalai, 16 Hungarian folksongs for voice and piano:įive songs arranged as 5 Ungarische Volkslieder, for solo piano, S.245 (1873).Themes of 'Kertem alatt' (vol.II, No.1) and 'Sarkantyú csárdás' (vol.III, No.6) used in the Lento and Vivace (Friska) sections of Hungarian Rhapsody No.19 in D minor, for solo piano, S.244/19 (1885) also for piano 4 hands, S.623a (1885?) 73 Rouget de Lisle, Claude Joseph (1760–1836).57 Maria Pavlovna, Grand Duchess of Russia (1786–1859).The main theme was also used by Liszt in Klavierstück No.2, S.Published 1849 by Kistner (Leipzig), as Ballade Reprinted 1849 by Meissonnier (Paris), as Chant du Croisé Prince Eugen von Sayn-Wittgenstein (1825-1886) Le chant du croisé Le chant du croise Ballade für Pianoforte ballada (Liszt) Balada n.º 1 en Re bemol バラード第1番 Le chant du croisé (The Crusader's Song) Dernière illusion Galop bohémieīallade No. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Please obey the copyright laws of your country. You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving).

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